Posts Tagged ‘mass media’

Sex-related literature jeopardizes and empowers young women’s sexuality

September 11, 2012

Striving for pleasure without fear: Short-term effects of reading a women’s magazine on women’s sexual attitudes

From Psychology of Women Quarterly 

The outstanding global success of ‘50 Shades Of Grey’ by E. L. James seems to have prompted the abundance of erotic novels on the market and storming the charts. At the moment 8 out of the top 10 bestselling fictional books in the UK are works of erotica. The boom of ‘mummy porn’ has no doubt encouraged speculation about the effects the popularity may have on attitudes and behavior. While the effects of sexualized media on young women has long been debated, this study finds that women who read sex-related magazine articles from popular women’s magazines like Cosmopolitan are less likely to view premarital sex as a risky behavior. Additionally, the women who are exposed to these articles are more supportive of sexual behavior that both empowers women and prioritizes their own sexual pleasure. The article concludes  “Our results suggest that the complex and sometimes conflicting representations of female sexuality proliferating in the mass media and popular culture could potentially have both empowering and problematic effects on women’s developing sexual identities.”

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Misogyny in rap music

May 25, 2011

Misogyny in rap music: a content analysis of prevalence and meanings

From Men and Masculinities

Rap music is renowned for being misogynistic, but little research has investigated this dimension of the music. This study assesses the portrayal of women in a representative sample of rap songs, it outlines key themes in this music and considers what specific messages are conveyed. In comparison to other genres rap music stands out for the intensity and graphic nature of its lyrical objectification, exploitation, and victimization of women. This paper argues that changing the portrayal of women within this music requires deeper shifts, altering the conditions under which it is created: socioeconomic disadvantage and associated gender relations in local communities, the material interests of the record industry, and the larger cultural objectification of women and associated norms of hegemonic masculinity.

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